Marianne Mathy, founder of the Australian Singing Competition

Madame Marianne Mathy-Frisdane

Link The Singer's
Companion
(pdf, 3.8mb)

Marianne Mathy once wrote: "A capable teacher of singing is just as rare as a gifted student." As a young singer in Berlin her own voice had very nearly been ruined by a teacher who, although well-meaning, applied an instruction style totally unsuited to Mathy's natural vocal direction.

But perhaps the most priceless ingedient of Marianne Mathy's selfless contribution to the artists of tomorrow, was the final all important instruction before they walked out from the wings onto the concert platform. "Give your best and after be proud! It is enough. It is everything."

Some of her students from 1940 to 1978 –

Mary Adams
Valda Bagnall
Sergei Baigildin
Bessie Booth
Neil Booth
John Brady
Althea Bridges
June Bronhill
Murray Brouse
Penelope Bruce
John Cameron
Beryl Cheers
Meg Chilcott
Richard Divall
Angelina Arena
Edna Dermody
Malcolm Donnelly
Anita Dunlop
Lois Empy
Christopher Field
Elsie Findlay
Gwen Foster
Madge Fox
Arianthe Galina
Marie Gordon
Clifford Grant
Neville Grave
Valerie Hanlon
Beryl Hardy
Andrew Harwood
Dorothy Hitch
Diane Holmes
Margaret Horsley
Eleanor Houston
Neil Houston
Maureen Howard
Joy Izett
Toni Lamond
Leonard Lee
Alan Light
Jennifer Lindfield
Maureen London
Heather Kinnaird
Pamela Marks
George Marley
Nance Marley
S. Martin
Eve Medina
Kathleen Moore
Margaret Moore
Raymond Nielsson
Raymond Nilsson
Glyn Paul
Ruth Pierce-Jones
Hazel Phillips
Wendy Playfair
Betty Prentice
Tony Price
Justine Rettick
Phyllis Rodger
Gallia Saunders
Joan Sutherland
Joy Tasman
Lyndon Terracini
Elizabeth Whitehouse

the Marianne Mathy Scholarship, 'The Mathy'

The Marianne Mathy Scholarship, 'The Mathy,' is regarded as one of Australasia's most prestigious awards for young opera and classical singers.

The Mathy is the premier award of the IFAC Australian Singing Competition. This currently is $30,000 plus a select 'suite' of prizes and opportunities that complement and support the Scholarship bringing the total value to over $50,000, which includes the limited edition Drago Marin Cherina bronze statuette known as 'The Mathy'.

In over three decades almost 2,600 contestants have competed for The Mathy prize pool, with almost $3 million in cash awards and grants as well as invaluable career opportunities and professional introductions within the music community.

complete list of this year's Prizes and Opportunities

Marianne Mathy-Frisdane

Marianne Mathy-Frisdane was a distinguished teacher of opera and classical singing. Born in Mannheim, Germany, Mathy migrated to Australia at the outbreak of WWII. During the next four decades, Marianne Mathy taught both privately and at the NSW State Conservatorium of Music. She taught 15 winners of the influential Sydney Sun Aria, and many of her students went on to become highly respected singers both in Australia and overseas.

Arriving in Sydney by ship from Europe in October 1939, the talented German soprano quickly found supporters and opportunities for professional engagement, including a concert tour for the ABC. However, with the war in full flight, the Australian Government ruled that no German was to be sung or spoken in public performance or broadcast media. As Mathy's English was by no means fluent, she was unable to carry on with public performances; she turned to teaching.

Mathy taught for three years at the National Institute for Dramatic Art, and for almost 13 years at the NSW State (Sydney) Conservatorium of Music. She also participated in the inaugural meeting of the New South Wales National Opera (the parent of Opera Australia) and for decades was an active participant in the ongoing development of opera and classical singing in Sydney and Australia.

wikipedia

biography by Toni McRae (pdf, 220kb)

History of the Marianne Mathy Scholarship

Marianne Mathy died in Sydney in October 1978 leaving a bequest from which the Marianne Mathy Scholarship was established.

In 1981, lawyer Roland Gridiger, Trustee of the Mathy Estate, approached the Music Board of the Australia Council for advice and assistance in regard to creating a competition and a scholarship honouring Mme Mathy. Two committees were formed: a General Advisory Committee to administer a competition for a scholarship and a Music Advisory Committe to determine rules and adjudication criteria. All Committee members donated and continue to donate their time and skills.

A framework for regulating the Marianne Mathy Scholarship was approved by the Equity Division of the Supreme Court of New South Wales on 26 February 1982, with the first competition being held and a scholarship awarded in June of that same year.

The original bequest of Marianne Mathy-Frisdane did not specify that a scholarship be awarded to a particular vocal type or genre (opera, classical, rock, pop, jazz, folk, country, etc). The inaugural 1982 Marianne Mathy Scholarship competition saw entrants from a range of vocal types and musical genres. As Mme Mathy-Frisdane was herself an opera singer and teacher, it seemed appropriate that her scholarship be awarded to young opera and classical singers. At the same time, it was clear there was a popular demand for a competition for more contemporary styles of singing.

In 1983 the Music & Opera Singers Trust (MOST), which administers the Mathy Estate, made the decision to promote the Marianne Mathy Scholarship as a competition for young opera and classical singers, and to establish a separate section for contemporary singers. Both sections were to come under the umbrella of the 'Australian Singing Competition'.

History of the Australian Singing Competition